在當(dāng)今投資和投機(jī)成風(fēng)的時(shí)代，書畫收藏者如何規(guī)避風(fēng)險(xiǎn)？下面由
山東收購(gòu)名人字畫人員為您解答。
In today's era of investment and speculation, how can calligraphy and painting collectors avoid risks? The following is the answer from the famous calligraphy and painting personnel acquired by Shandong.
先應(yīng)遵循“不怕買貴，就怕買假”的原則。真跡買貴了并不可怕，買錯(cuò)了，錢就打水漂了。一件名家真跡多花幾十萬(wàn)元沒(méi)有什么，將來(lái)畫還會(huì)升值，但買張假畫，就分文不值了。
First, we should follow the principle of "not afraid to buy expensive, but afraid to buy fake". It's not terrible to buy an authentic work expensive. If you buy it wrong, your money will be wasted. It is nothing to spend hundreds of thousands of yuan more on a famous authentic work. In the future, the painting will appreciate, but buying a fake painting will be worthless.
要說(shuō)如何去學(xué)習(xí)，先就是要找準(zhǔn)感覺(jué)，這個(gè)感覺(jué)不是你憑直覺(jué)所判斷的，而是經(jīng)過(guò)知識(shí)的積累與沉淀自然而然的有的。這就需要我們?nèi)ザ喽嗟拈喿x名家精品，從 大師的作品出發(fā)，自己去感悟其中蘊(yùn)含的理念。
To say how to learn, you must first find out the right feeling. This feeling is not judged by your intuition, but naturally after the accumulation and precipitation of knowledge. This requires us to read more masterpieces, and start from the works of masters to understand the ideas contained therein.
這些并不是隨便在網(wǎng)上找圖片看就成了的，而是要去實(shí)地看見(jiàn)事物，從真實(shí)出發(fā)去感受他帶來(lái)的震撼，才能形成心理的觸動(dòng)，才算是達(dá)到目的。
These are not just to look for pictures on the Internet, but to see things on the ground, to feel the shock from the truth, to form a psychological touch, is to achieve the goal.
在我們形成自己的感受之后我們才能從作者，歷史等方面去考察其真?zhèn)?，好是有從旁協(xié)助，這樣才能增加正確率。
After we form our own feelings, we can examine the authenticity of the author, history and other aspects. It is good to have experts to help us, so as to increase the accuracy.
如何收藏字畫有價(jià)值，收藏非熱門的畫家作品，追求中長(zhǎng)期回報(bào)。因?yàn)樵绞菬衢T的畫家，其假畫往往就越多。“沒(méi)有金剛鉆，不攬瓷器活”，如果你不是研究徐悲鴻的，還不如去選擇二三線名家的作品收藏，不少有潛力的藝術(shù)家，目前價(jià)位、行情還不是很高，收藏風(fēng)險(xiǎn)小，未來(lái)升值空間較大。對(duì)于書畫收藏的新人來(lái)講，棄熱求冷，收藏非熱門畫家作品，追求中長(zhǎng)期回報(bào)，無(wú)疑是更佳的選擇。
How to collect valuable calligraphy and painting, collect non popular painters' works, and pursue medium and long-term returns. Because the more popular painters are, the more fake paintings they often have. "No diamond, no porcelain". If you are not an expert in studying Xu Beihong, you might as well choose the works of second and third line famous artists for collection. Many potential artists have low prices and market, low collection risk and large appreciation space in the future. For the newcomers of calligraphy and painting collection, it is undoubtedly a better choice to abandon the hot and seek the cold, collect the works of non popular painters, and pursue medium and long-term returns.
對(duì)市場(chǎng)不太了解，但又想收藏書畫的入門者，往往會(huì)想到收藏書畫界大名家的作品，但在書畫市場(chǎng)上闖蕩多年的行家表示，關(guān)注有實(shí)力的中青年畫家同樣可獲得不菲的回報(bào)，他們是投資書畫的“潛力股”，事實(shí)上，部分中青年畫家作品的市場(chǎng)幾乎三四年就能翻一番，投資前景十分誘人。
Those who do not know much about the market but want to collect paintings and calligraphy often think of collecting the works of famous Chinese painters and calligraphers. However, experts who have been wandering in the painting and calligraphy market for many years said that paying attention to young and middle-aged painters with strength can also earn a lot of returns. They are "potential stocks" for investing in painting and calligraphy. In fact, the market price of some young and middle-aged painters' works can almost double in three to four years, which makes the investment prospect very attractive.
The above is a detailed introduction to the recycling of celebrity calligraphy and painting. I hope it will be helpful to you. If you have any questions, please contact us http://www.zhiyou999.com Come on!
